The Midnight Palace - Страница 6


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Despite the humorous echoes of its name, the Chowbar Society was as select and strict as any of the clubs that filled the Edwardian buildings of central Calcutta, emulating their London namesakes; their elegant lounges, where members could vegetate, brandy in hand, were the birthright of the British male elite. Our surroundings may have been less splendid, but our aim was far nobler.

The Chowbar Society had been founded with two firm objectives. The first was to guarantee each of its seven members the help, protection and unconditional support of the others, in any circumstance, danger or adversity. The second was to share the knowledge each of us acquired, so that we could equip ourselves for the day when we would have to face the world alone.

Every member had sworn upon his own name and honour (we had no close relatives to swear by) to observe those two objectives and to keep the society a secret. During the seven years of its existence no new member was ever admitted. I lie. We made one exception, but to write about that now would be to get ahead of myself …

Never was there a society whose members were more united, and whose oath carried such weight. The Chowbar Society was nothing like the clubs for wealthy gentlemen in the West End, for none of us had a home or a loved one to go to when we left the Midnight Palace. It was also very different from the ancient student societies in Cambridge, because it did admit women.

So I will begin with the first woman who pledged her oath as a founder member of the Chowbar Society, although when the ceremony took place none of us (including the person I’m alluding to, who was nine at the time) thought of her as a woman. Her name was Isobel and, as she said herself, she had been born for the stage. Isobel dreamed of becoming the successor to Sarah Bernhardt, seducing audiences from Broadway to Shaftesbury Avenue and leaving the divas of the newly formed cinema industry unemployed, both in Hollywood and Bombay. She collected newspaper cuttings and theatre programmes, wrote her own plays (‘active monologues’ she called them) and performed them for us with great success. Most outstanding were her sketches about a femme fatale on the brink of the abyss. But, beneath all the extravagance and melodrama, Isobel possessed – with the possible exception of Ben – the best brain in the group.

The best legs, however, belonged to Roshan. Nobody could run like Roshan, who had grown up in the streets of Calcutta under the tutelage of thieves, beggars and all kinds of other specimens from the jungle of poverty that flourished in the newly expanding areas to the south of the city. When the boy was eight, Thomas Carter brought him to St Patrick’s and, after a few escapes and returns, Roshan decided to stay with us. Among his many talents was that of locksmith. There wasn’t a lock on earth that wouldn’t yield to his skill.

I’ve already spoken about Siraj, our specialist in haunted houses. Leaving aside his asthma, his pale complexion and poor health, Siraj possessed an encyclopedic memory, particularly when it came to sinister stories about the city, of which there were hundreds. For the ghost stories that enhanced our special evenings, Siraj was the researcher and Ben the narrator. From the ghostly rider of Hastings House to the spectral leader of the 1857 mutiny, including the spine-chilling episode of the so-called black hole of Calcutta (where over a hundred men suffocated, after being captured in a siege at the old Fort William), there wasn’t a tall tale or gruesome incident that escaped Siraj’s archives. Needless to say, for the rest of us his passion was a cause for great joy and celebration. Unfortunately, however, Siraj had an almost unhealthy adoration for Isobel. At least once every six months his proposals for a future marriage – which were invariably refused – triggered a romantic storm within the group that aggravated the spurned lover’s asthma.

Isobel’s affections belonged exclusively to Michael, a tall skinny boy who was quiet by nature and given to long inexplicable spells of melancholy. Michael had the dubious privilege of having known, and therefore of remembering, his parents. They had died during a flood of the Ganges Delta when an overloaded barge had capsized. Michael spoke little and was a good listener. There was only one way of deciphering his thoughts: by looking at the dozens of drawings he did during the day. Ben used to say that if there was more than one Michael in the world, he’d invest all his fortune – still to be made – in the paper business.

Michael’s best friend was Seth, a strong Bengali boy with a serious expression who smiled about six times a year and even then with hesitation. Seth was a scholar of anything that came into his line of fire, a tireless devourer of Mr Carter’s classics, and keen on astronomy. When he wasn’t with us, he concentrated all his efforts on building a strange telescope, with which, according to Ben, you couldn’t even see the tips of your toes. Seth never appreciated Ben’s vaguely caustic sense of humour.

Only Ben remains, and, although I’ve left him until the end, I still find it hard to talk about him. There was a different Ben for every day. His mood changed every half-hour and he’d go from long stretches of silence, a sad expression on his face, to periods of hyperactivity that ended up exhausting us all. One day he wanted to be a writer; the following day an inventor and a mathematician; the day after that a sailor or a deep-sea diver; the rest of the time it was all of those things with a few more added. Ben invented mathematical theories that even he didn’t manage to remember and wrote such bizarre tales of adventure that he ended up destroying them a week after they were finished, embarrassed at the thought that he had penned them. He machine-gunned us constantly with elaborate ideas and complex puns which he always refused to repeat. Ben was like a bottomless trunk, full of surprises, also of mystery, light and shadow. He was, and I suppose he still is, even though we haven’t seen one another in decades, my best friend.

As for me, there’s not much to tell. Just call me Ian. I had only one dream, and it was a modest one: to study medicine and become a doctor. Fate was good to me and I was granted that wish. As Ben wrote in one of his stories, I ‘just happened to be passing by and was a witness to those events’.

I remember that in the last days of that month, May 1932, all of us – all seven members of the Chowbar Society – were going to turn sixteen. It was a fateful age, both feared and keenly anticipated by us all.

Following its statutes, St Patrick’s would return us to society when we reached sixteen so that we could grow into responsible men and women. That date held another meaning that we all understood only too well: it signified the dissolution of the Chowbar Society. From that summer onwards our paths would diverge, and despite our promises and all the kind lies we had told ourselves, we knew that it would not be long before the bond that had joined us was washed away like a sandcastle on the seashore.

I have so many memories of those years that even today I catch myself smiling at Ben’s witty remarks and the fantastic stories we shared in the Midnight Palace. But perhaps, of all the images that refuse to be swept away by the current of time, the one I recall most vividly is that of a figure I often thought I saw at night in the dormitory shared by most of the boys of St Patrick’s – a long dark room with a high vaulted ceiling reminiscent of a hospital ward. I suppose that, due to the insomnia I suffered until two years after I moved to Europe, I found myself, yet again, a spectator of everything that was going on around me while the others slept …

It was there, in that soulless dormitory, that night after night I thought I saw a pale light crossing the room. Not knowing how to react, I would try to sit up and follow the reflection until it reached the other end, and in that moment I would look at it again, just as I had dreamed I would look at it on so many other occasions. The evanescent silhouette of a woman swathed in spectral light slowly bent over the bed in which Ben was sleeping. Each time, I struggled to keep my eyes open and thought I could see the lady stroking my friend’s face in a maternal way. I gazed at her translucent oval face surrounded by a halo of diaphanous light. The lady would raise her eyes and look at me. Far from being frightened, I embraced her sad wounded look. The Princess of Light would then smile at me and, after stroking Ben’s face one more time, would dissolve into the night like a silver mist.

I always imagined that the vision I saw was the spirit of the mother Ben had never met and, somewhere in my heart, I maintained the childish hope that, if one day I managed to fall into a deep sleep, a similar apparition would also take care of me. That was the only secret I did not share with anyone, not even Ben.


Calcutta, 25 May 1932

For over thirty-five years, as head of St Patrick’s, Thomas Carter had taught his pupils literature, history and arithmetic with the confidence of a jack of all trades and master of none. The only subject he was never able to deal with properly was the subject of their departure. Year after year, the boys and girls whom the law would soon place outside the influence and protection of his institution would file past him, their faces revealing a mixture of anticipation and fear. And as he watched them walk out of the orphanage, Thomas Carter would think of their lives as the blank pages of a book in which he had written the initial chapters of a story he would never be allowed to finish.

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